I find that in order to get a painting going in a way that works for me during the process it is useful to have experienced the subject matter myself so that I can tell a story. Sometimes they are a bit silly, perhaps, but it is a fun way to work with colours and shapes - and this is one of those.
I normally talk to the animals that come around to get them to know me and recognize that I am not of any danger – the “normal” animal behaviour – and, so, when Bluffalo is around the house now, mostly after dark (which is also why he is blue) he does not run away any longer but stand still, albeit on a distance, gazing in my direction and holding his ears out in a particular way perhaps as he recognize the sound of my voice as something familiar and not connected to any immediate danger…
The triangular leaves are from the Mollus Treblintifolius – the pepper tree – which is in abundance around the camp (the tree trunk belonging to it is what gives shade to the entrance to my studio) and the hill behind him is the view in front of our house, in which we often see elephants, impalas, waterbucks, zebras and the larger herd of buffalo that Bluffalo often hangs out with when he is tired of being alone… ah, the freedom of artistic expression is wonderful!
...addition: just as I finished writing this post I heard some noises from the part of my garden behind my studio, and there he was! did he feel someone was talking about him?
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